Why couldn’t @horse_ebooks be left alone as a weird internet phenomenon? Because while it might not be run by a major corporation, it maintains the same ideology: that anything that attracts attention is too valuable to be left to its followers. It has to be turned into a tool for promotion, be that corporate promotion or the self-promotion of an artist.
Jacob Bakkila could have made his own Twitter account to post gibberish to. But the point was to appropriate something people were already paying attention to. What we thought was marketing rediscovered as art has turned out to be art rediscovered as marketing. The total victory of corporate media and social ownership as a way of looking at the world is that we can’t just like anything without it becoming part of a brand or a product, or without somebody taking it over to stick their name all over it. What’s disappointing is the confirmation that this is just the world we live in.
Best piece about The Horse that I’ve read so far.
(via towerofsleep)
I have some of my own thoughts about this that I plan to disappoint everyone by publishing later, but it should be noted that Bakkila abandoned his own excellent and well-loved Twitter account to pursue his role as the Mechanical Turk behind horse_ebooks. That link goes to an archive of Favstar from 2012 because Bakkila worked to scrub the internet of his former persona, presumably to pour himself fully into his new role (which, if he’s serious about having posted each update by hand, I would imagine he’d have needed to do anyway). Say what you will about the merits of the project but he entered into it full-bore.
(Source: christopherwhitman.net, via katherinestasaph)




